Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Friday, April 10, 2026

Katherine Anne Porter

“She has simply an eye and an ear sharp, shrewd, and true as a tuning fork. She has given to this little story all her wit and observation, her blistering humor and her just cruelty; for she has none of that slack tolerance or sentimental tenderness toward symptomatic evils that amounts to criminal collusion between author and character. From Katherine Anne Porter's Introduction to A Curtain of Green by Eudora Welty (Doubleday, 1941) in The Collected Essays and Occasional Writings of Katherine Anne Porter (Seymour Lawrence/Delacorte Press, 1970).

I sought out Katherine Anne Porter because Austin science fiction author Nnedi Okorafor spoke at Kyle’s Katherine Anne Porter Literary Center (508 West Center Street, 78640) and a review in the Hays County Free Press popped up for scrolling in my Kyle email. When I read the story, I merely recognized Porter’s name, not having read her before, but was nonetheless surprised that she is considered a local Kyle author. So, I went to the library. 


I found her pleasurable. Katherine Anne Porter is good company. I love listening to her  across our distances. In addition to a dozen essays here, some several times, I also read short stories and poems in The Collected Stories of Katherine Anne Porter (Harvest/Harcourt Press, 1965, et seq). I read “Pale Horse/Pale Rider” through three times because that is what it took to understand the sequence of events. Clearly, even  though I had read several other stories ahead of that, I was not prepared for a serious engagement. Nonetheless, she was an inspiration. I could have fattened these two anthologies with post-its bearing exclamation points or quotation marks tagging the juxtapositions, the clever and insightful phrases. 


[Added 12 April 2026 8:48 PM - I checked out Ship of Fools from my local library but after about twenty pages, some even from the middle, it is going back tomorrow. She writes well. Her word portraits are cinematic. However, her sense of life is entirely negative and she only delivers a long torrent of small, spiteful insults.]


PREVIOUSLY ON NECESSARY FACTS


Soldier’s Heart by Elizabeth Samet 

Neighborhood Book Kiosks 

When Worlds Collide

Dealers Make the Show: ArmadilloCon 41 Day 3 


Sunday, October 19, 2025

FRANKENSTEIN, RAYGUNS, AND BICYCLES

I read for research. This past Christmas break, I read formal philosophy. From 2021 through 2024, I read a lot of astronomy, several of those books cover-to-cover. But I do try fiction. I do not always succeed. I read at bedtime and therefore the sprints are short. Perhaps more to the point, I prefer to read authors who write better than I do and I have no patience for anyone who cannot outdo me because I know that I am not that good at it which is why I do not write fiction. However, as Montag said in Fahrenheit 451, inside each book is a man. So, I give the author a fair chance. 

At ArmadilloCon 47 this past September 12-14, I was working in the Convention Suite and two of the fen (not “fans”) were chatting. “Of course, I read Frankenstein,” said the one. Replied the other, “The 1818 or the 1819 version?” I was loading ice so I missed the rest, but I did check out two editions from the UT Perry-CastaƱeda Library. The book is nothing like the movies. (I have not seen the newest release from Guillermo del Toro.) 

  • Frankenstein : the 1818 edition with related texts / Mary Shelley ; edited, with introduction and notes, by David Wootton. Shelley, Mary Wollstonecraft, 1797-1851, author.; Wootton, David, 1952- editor.
  • The annotated Frankenstein / Mary Wollstonecraft Shelley ; edited by Susan Wolfson and Ronald Levao. Shelley, Mary Wollstonecraft, 1797-1851.; Wolfson, Susan J., 1948-; Levao, Ronald. 2012.

The proper title is Frankenstein; or, The Modern Prometheus. In my opinion, Mary Shelly failed to complete the analogy. Moreover, that context was not explored in any of the editions or criticisms that I found at the UT library. 

Prometheus (Forethought) was tasked by Zeus with creating animals to inhabit the Earth. His brother, Epimetheus  (Afterthought), gave all of them the strength, speed, agility, powerful talons, fangs, hides, horns, etc., etc., leaving Man with not much else. Prometheus gave Man intelligence — and fire. For that, he was chained to a mountain in the Caucasus and his liver was torn out by a vulture, only to regenerate overnight and be torn out again. We experience the tremors of his suffering as earthquakes. Mary Shelley did not carry through the many possible parallels. 


What does project to the reader is the dual nature of the monster. He is completely innocent, teaching himself to understand language, speech first and then writing. He discovers music, first in birds then from the old man in the cottage. He is vegetarian, subsisting on roots, leaves, and berries, sometimes cooking them after he learns (by accident) fire. He wants to be liked and loved but his horrendous form—eight feet tall and made from inanimate matter brought to life—draws only terror, rebuke, revulsion, and violence from everyone around him. He pays the world back in kind, at first killing a child then turning his attention to Victor Frankenstein’s family. Frankenstein pursues the monster to the North Pole but dies and the monster drifts off on an ice flow, promising to immolate himself. By Aristotle’s theory, the fable must be a tragedy, a story about a being brought down by circumstances not of his own choice but of his own making. 


Rayguns over Texas was published in 2013 by FACT the Fandom Association of Central Texas. It contains 19 short stories and eight essays. I bought my copy at my first ArmadilloCon (39) in 2017. The book disappeared into storage boxes when we moved from Austin to Kyle. Looking for something else, I found it and I now know some of these authors. So, I started with those stories. 


“Texas Died for Somebody’s Sins But Not Mine” by Stina Leicht is another Frankenstein story. This retelling has been informed by decades of science fiction and political theory. This monster is a transgenetic clone labelled “Dallas” and called “Una” who works as a computer programmer and is the legal property of a corporation. She is harmless and truly a victim. She escapes the software factory for one night of selfish pleasure. When she slips back in, she learns that she had been discovered. It does not matter on two grounds: this project is closing, so she was going be erased and reprogrammed with different skills anyway; and against that she knows that she had her own life for a short time, even though she will not remember any of it. 


I believe that “Operators are Standing By” by Rhonda Eudaly is a personal story told through aliens. Set in a galactic sales call center, it is about belonging. If you saw Boiler Room or Wall Street, you get the picture. Moreover, Fahrenheit 451’s Montag would say that this is autobiographical and is on a narrative level forbidden in his society. 


Of these first three stories, I found "Jump the Black" by Marshall Ryan Maresca to be the most emotionally engaged. The viewpoint character is an illegal alien, a Terran seeking to get off the Deathplanet which we turned Earth into. Imagine a world of homeless people, living on whatever is left of the streets, paying smugglers to get them anyplace else. Many die along the way. That’s how it is. Keep moving. 


After I finished the three-part review of ArmadilloCon 47 last month, I left messages in the contact pages of the websites of the vendors, authors, and fans whom I mentioned. Panelist Lauren Teffeau replied with corrections to my blog post. Reading her website, I discovered the Solar Punk subgenre in which home-brew solutions remediate some of the environmental sins of our time. From the libraries at the University of Texas (Austin), the City of Austin, and the City of Kyle, the closest I could come was Bike Topia: Feminist Bicycle Science Fiction in Extreme Futures, volume 4 of the Bikes in Space series from Microcosm Publishing. 


The narrative style of “Riding in Place” by Sarena Ulibarri is matter-of-fact, unadorned writing. So, I just followed the story and I did not foresee the (surprise) conclusion. It is another smuggled alien story told from an outside viewpoint as we follow our human corporate worker on an industrial space station orbiting Earth. I was reminded of Bruce Sterling’s Islands in the Net which opens with a middle class corporate office work gang ripping up old telecom lines and patching the landscape.They do the job they are given but they don’t have much enthusiasm for it: “it’s community work,” they say. In Sarena Ulibarri’s utopia of megacity biking trails and parkways, everybody gets assigned some tough jobs and working on the space station is one of them. Hence the bicycles to maintain bone strength. 


Maddy Spencer’s "Meet Cute" is a graphic flash story with neither narration nor dialog. The pictures tell the story. Montag would have read this before he discovered books. 


"Portlandtown" by editor Elly Blue weaves the threads of self-discovery within a tapestry of complex future sociology told as history. 


The stories in BikeTopia are fresh. The plots are the ones we know from The Bible and The Iliad and Shakespeare. The tellings are new and now. 


PREVIOUSLY ON NECESSARY FACTS

Books Read and Not Read in 2023

The Great Gatsby: An Alternate View and an Alternate History

Science Fiction Recent Reads 

Dealers Make the Show: ArmadilloCon 41 Day 3 

 


Saturday, July 12, 2025

Aphorisms

I am the point-of-contact for a support group here in Austin. I joined as a member and inherited the work when the person before me had to move forward. This kind of work is something that I do by the numbers: I do not have a talent for it. Discussing the agenda (which is to say, "gossiping") with one of the regulars, they said about another member that the other person seems to be "worshipping the problem instead of finding a solution." I asked if that was a quote and they did not know. 

I do not have a solution but I admire your problem.
https://www.ashleighbrilliant.com/

Googling that phrase brought evermore many hits from after 2018 and fewer before. I eventually found Ashleigh Brilliant, creator of Pot Shots. He has thousands of them, all copyrighted and aggressively protected. Oddly enough, I found nothing by Ashleigh Brilliant in the libraries of the University of Texas, the City of Austin, or the City of Kyle. So, I went to Abe Books and bought five from two sellers. 

https://schaffnerpress.com/books/short-flights/

The Austin Public Library did have Short Flights, a book of aphorisms from an array of modern writers. Ashleigh Brilliant is one of them, so this came up in a wider search. I am reading through that now as I wait for the books.

Right now, I have two original aphorisms:

You can only be as open with others as you are with yourself.

Not much happens in a society that punishes ambition.

In republican Rome, ambition, literally ambling about glad handing strangers to make friends among the voters, was a crime. 


The best one that I learned somewhere else is a post title here: "How do you make God laugh? Tell Him your plans."


PREVIOUSLY ON NECESSARY FACTS


Longevity 

Aaron Feldman: Buy the Book Before You Buy the Coin 

Dealers Make the Show: ArmadilloCon 41 Day 3 Part 2 

Contradictions in the Patentability of Numbers 



Sunday, January 14, 2024

Words into Type

Sir Robert worked hard and well to make himself a king and then wanted to unite his realm under a single banner. So, he called his vassals into his great hall where they stood with their shields, escutcheons, and crests. Looking out over the array, he said, “The nice thing about standards is that there are so many to choose from.” (That fable was in a computer magazine from about 1987.) 


A.T.A. Type Comparison Book by Frank Merriman.
Advertising Typographers Association of American, Inc. 1965.

I consider The Chicago Manual of Style to be the baseline. It is easy, direct, and common for American English. That volume is in my wife’s office. She edited over a hundred books for Bantam-Doubleday Dell and has several other style guides on her shelf. I have Chicago’s origin, A Manual for Writers of Term Papers, Theses, and Dissertations by Kate L. Turabian, fifth edition revised and expanded by Bonnie Birtwistle Honigsblum, University of Chicago Press, 1987. Unless otherwise directed, I turn to that first.

 

A.T.A. Type Comparison Book by Frank Merriman.
Advertising Typographers Association of American, Inc. 1965.

When I worked at Coin World newspaper, we were given our own copies of the Associated Press Stylebook and Libel Manual. It was a revelation to learn what a newspaper can be sued for. The truth is not always a defense in a court of law. In Michigan, it is and that was written into the state constitution.

 

Microsoft PowerPoint

For science writing, I have the Publication Manual of the American Psychological Association, Fourth edition, 1994. 

 

The book that taught me first was Strunk & White’s Elements of Style. I still open it for random reminders and I pick up used copies to give to people who tell me that they want to be writers. But OMG it is over a century old. OTOH, the best style is conservative. Of course, YMMV. 

 

A.T.A. Type Comparison Book by Frank Merriman.
Advertising Typographers Association of American, Inc. 1965.

On that basis, I was happy to find Modern English Handbook, Third Edition by Robert M. Gorrell and Charlton Laird, Prentice-Hall, 1962. I bought it for 50 cents in 2001. It was the textbook for 12th graders at Cleveland’s Lincoln High School when I was in the ninth and tenth grades 1964-65 and also on the staff of the school newspaper. My first journalism class was an eighth grade elective, but junior high pupils were not allowed to work on the Lincoln Log. At that time, I also had printing as a shop class elective. The Lincoln Log was not a school product but was contracted to a commercial printer which produced other school and community newspapers. With large ethnic communities, Cleveland had weekly papers in German, Hungarian, and other languages.


A.T.A. Type Comparison Book by Frank Merriman.
Advertising Typographers Association of American, Inc. 1965.

 


I actually never used Words into Type. It is in Laurel’s office. I just liked the phrase as a descriptive title for this blog entry. 

 

Accepted as an assistant editor for This Month in Astronomical History, an online publication of the Historical Astronomy Division of the American Astronomical Society, I was promoted early to editor in the wake of the Covid crisis. Considering that my degrees are in criminology and social science, and that I am an Amateur Affiliate member of the AAS, it is an honor and privilege to be responsible for fact-checking, as well as grammar, syntax, and style. I collaborate with subject matter experts, researchers, faculty, and other astronomers. I recruit writers and also write features to fulfill the editorial calendar of monthly columns. I report to a senior editorial team that is chosen biannually. Find the series here: https://had.aas.org/resources/astro-history.


A.T.A. Type Comparison Book by Frank Merriman.
Advertising Typographers Association of American, Inc. 1965.
 
I developed a style guide for HAD’s TMIAH. (Use endnotes not footnotes. The ampersand is not a word.) For AAS writing, the foundation is the style guide of the American Physical Society. However, Subrahmanyan Chandrasekhar amended that when he served as editor of the Astrophysical Journal (1952-1971). That perturbing force sent the AAS into a different path. Just for one example, we do not require that manuscripts be submitted in TeX/LaTeX.
 

A.T.A. Type Comparison Book by Frank Merriman.
Advertising Typographers Association of American, Inc. 1965.

I learned Donald Knuth’s programming language for typesetting mathematics publications back in 1985 when I was taking computer classes and teaching technical writing at Lansing Community College. The Arts and Sciences Division acquired a DEC VAX 11/785 and interactive terminals, overcoming the objections of the Business Division with their IBM 360 mainframe and punched cards in Cobol and RPG. I served as the editor of the newsletter of the DECUS chapter. I then worked as a technical writer for a medical information firm whose previous technical writer had the insight to acquire TeX. Consequently, I have almost 40 years of experience with HTML.

PREVIOUSLY ON NECESSARY FACTS

Start the Presses! 

Art & Copy 

Art as Ordered Narrative 

Innovation and Discovery 

For the Glory of Old Lincoln High


Tuesday, February 7, 2023

Publications in Historical Astronomy

I joined the American Astronomical Society in order to apply for an opportunity to volunteer as an assistant editor for the Historical Astronomy Division’s web page, “This Month in Astronomical History.”  

https://aas.org/posts/news/2020/07/month-astronomical-history-june-2020

My responsibilities are mostly to proofread short (750 to 1500-word) submissions from professionals. The topics generally celebrate some notable date, typically birth and death dates of astronomers, as well as other memorable events. The contributing authors are usually college professors. Some are graduate and post-graduate students in university astronomy programs. A few are amateur affiliates, which is my own status within the AAS. 

https://aas.org/posts/news/2020/10/month-astronomical-history-october-2020

My editors have assigned topics to me. Also, my duties include finding authors, and when I cannot do that, I write the missing calendar entry. In every case, the work is passed upward to other editors, including an AAS publications committee. I always learn a lot, whether from reviewing the works of others or from the improvements made to my work.

https://aas.org/posts/news/2021/04/month-astronomical-history-march-2021

https://aas.org/posts/news/2022/02/month-astronomical-history-march-2022

https://aas.org/posts/news/2022/06/month-astronomical-history-june-2022

https://aas.org/posts/news/2022/08/month-astronomical-history-august-2022
https://aas.org/posts/news/2022/10/month-astronomical-history-september-2022

 

Most people do not know that researchers pay to have their works published. Our common understanding is that your good research findings are submitted to a professional publication which then submits them to other researchers for peer review. That is true. However, just being accepted as worthy is not enough. Therefore, university department budgets include money for subsidized publications, just as they pay for travel to conferences or research sites. That does not apply to the Historical Astronomy Division: we do not charge for publication; however, our platform is entirely electronic, not print; so our costs are minimal. 

https://aas.org/posts/news/2022/12/month-astronomical-history-december-2022

https://aas.org/posts/news/2023/01/month-astronomical-history-january-2023


Also not widely known, even among the literati, is that for the American Astronomical Society if you have a doctorate in astronomy or astrophysics and all you do is teach at university, you cannot (usually) be a full voting member: you are (only) an Educator Affiliate, more akin to an Amateur Affiliate or Alumni Affiliate. Full voting members are primary investigators, the ones who submit grant proposals and hire post-doctorate researchers, doctoral candidates, and other students.

 

PREVIOUSLY IN NECESSARY FACTS

 

Of Watches and Beaches and Atheists 

Cosmos: A Spacetime Travesty 

Sociology is a Science 

Is Physics a Science? 


Wednesday, October 5, 2022

Fountain Pens

Like dressing for dinner, writing with a fountain pen helps you to be at your best. The direct descendent of the reed, it is the modern quill. A fountain pen requires focus on the line, the curve, and the mark. Even a quick note, soon to be discarded, carries importance, however briefly. 

 

The fountain pen requires maintenance and demands care and too easily leaves unwanted ink—sometimes alarmingly much—on fingers, papers, desk, and books. And it does not erase. A good ballpoint or roller ball will almost do as well on paper. Pencils have their virtues beyond erasability. The fountain pen needs no justification or excuse because it is the premier writing instrument.

Last year, I enrolled in several webinars about calligraphy that were sponsored by Mont Blanc. (I have a Meisterstück 4810 which was a present from an old and dear friend.) Following those, I unboxed my inventory and cleaned them up. Although I wanted the circa 1967 Sheaffer to be the everyday pen, its barrel was cracked and reinforced with scotch tape and the reservoirs fell off the connector pin. I bought new Sheaffers. One for calligraphy had an extremely lightweight body and never flowed well. I sent it back with a letter. They sent me another, much better. Another with promise of good heft does not accept the standard Sheaffer reservoir or any other from Sheaffer that I have found. So, it was back to ballpoints, rollerballs, gels, and fiber-tips. 

 

Taking the challenge again, I viewed YouTube videos from Gentleman’s Gazette and Figboot, and one from Prof. Richard McCutcheon, Dean of Arts at Thompson Rivers University. Then, I found a Figboot interview with Neil Degrasse Tyson. 

 

I cleaned the Mont Blanc and put a medium nib in another Sheaffer calligraphy pen. Yesterday, I went shopping. Jerry’s Artarama stopped carrying them. They sent me to Kinokuniya, a Japanese store. There, I found a Pilot that fills with a squeeze reservoir. I also bought an inexpensive Kawe Perkeo that accepts the “Euro” cartridges of which I have an unused box. I chose a red body for the Pilot and filled it with red ink (Mont Blanc). The Kawe nib is fine and the ink plain blue. The Mont Blanc and Sheaffer, both mediums, are black, though the Mont Blanc 585 nib is broader.  

 

PREVIOUSLY ON NECESSARY FACTS

 

The Pencil: History, Design, and Circumstance 

Pencil Notes: Reflections on Henry Petroski’s “The Pencil” 

Armadillocon 41 Day 3 Part 2 

Copy Rights and Wrongs 


Tuesday, September 8, 2020

Pencil Notes: Reflections on Henry Petroski’s "The Pencil"

“Yet, perhaps in part because specialization was no doubt as common in ancient times as it is today, the written history of engineering is sparse. Even the most able and articulate of ancient engineers, whether they were known as artisans, craftsmen, architects, or master builders, might have had no more time or inclination or reason to articulate what it is they did and how they did it than do some of the most able of today’s engineers.” – page 17

That is why they hire technical writers. To me, it is a right-brain/left-brain situation. Engineers tend to be right brain thinkers. Technical writers bring that with them, also, the ability to read, edit, and create drawings, whether architectural plans or software flowcharts. Ultimately, though, the images get verbal explanations. That may explain why so many technical writers are women: the left and right hemispheres of the brain are connected by the corpus collosum, which tends to be more highly developed in females than in males.

 


It is difficult to be certain how this or that better design for a brush, plow, house, or sword evolved from its predecessors, for the process was at best sketched metaphorically in pencil and seldom if ever copied in pen. It is because of this that the ideas and artifacts of technology—the processes and products of engineering—are so very different from the creations and theories of literature, philosophy, and science. … The classics, even if superseded in factual or theoretical sophistication are considered models of thinking from which one can today still benefit by emulation, or at least inspiration. […] Curators of technological artifacts, industrial archaeologists, and historians of technology represent rather new careers…” – pages 20-21

  1. First, that is why we have industrial archaeology now, to recover and understand those earlier activities and artifacts. 
  2. Second, we have lost some mathematics. Richard P. Feynman wanted to demonstrate to his class how Newton proved Kepler’s laws, and he wanted to do it in Newton’s own language. He could not. Feynman could not recreate the geometry that was fundamental to the Principia. We have become so dependent on algebra and calculus that we have forgotten the admittedly more cumbersome tools of earlier mathematics.
  3. We also lost the machinery of the Antikythera Mechanism. It would be almost 1500 years before clocks were again so complicated, accurate, and precise.
  4. Fourth, and to Petroski’s point, antiquarians do inform the present. Though we had advanced past the hand-hammered methods of coinage, it is famous that President Theodore Roosevelt commissioned Augustus Saint-Gaudens to give America coinage as compelling as that of the ancient Greeks. 

Professional Coin Grading Service "Coin Facts" website
TOP: Half Dollar of Charles Barber imitating the work
of Oscar Roty for France. BOTTOM: Something better. 


“[Sir Isaac Newton’s] seashore metaphor allows that one shell (theory) may be prettier (more elegant) than another, and perhaps the searcher becomes less fond of the old shells as prettier ones are found, but the implication is still that the truths are whole in the ocean and it is just a matter of time before they are found thrown up on the shore.

“While pencils may be helpful in formulating abstract theories of motion and gravitation, abstract theories do not make pencils.” – page 74.

 

The history of modern physics may refute that. The mathematics describing atomic and nuclear processes energy became the design specifications. We did not tinker our way to nuclear power.

 

Of all the revelations and insights here, I was captivated by the story of Henry David Thoreau (Chapter 9: An American Pencil-Making Family). We recently watched the most recent remake of Little Women (Greta Gerwig director). We see Jo March’s ink-stained fingers and we watch her on the floor, scribbling in pen. But we all also know that the family was connected with the Transcendentalists, among them Henry David Thoreau. But who knew that his family made pencils? In his list of supplies taken to Walden Pond, mostly likely written with the pencil he carried, Thoreau omitted the pencil. Thoreau also billed himself as a surveyor and civil engineer, two professions that even in 1840 depended on good, reliable graphite pencils. 

 

I wrote here last week about the passage on pages 223-225 describing how engineers often were trained to draw by copying architectural treatments. It is, of course, how architects learned to draw. That opened up a new vista on an early passage in The Fountainhead. That being as it may, it is nonetheless true that to learn science, we recreate the important experiments of the past. We just do not slavishly recreate them with archaic beakers, wires, and flyball governors. I believe that it is a valid criticism of physics in particular, stated in Thomas Kuhn’s Structure of Scientific Revolutions, that we are handed science as a completed artifact and do not trouble ourselves much with discarded paradigms—or why we discarded them. (My review for this blog is here.)

 

“One desirable quality is often gained at the expense of another, for how the properties of complicated materials will change with changing ingredients and methods of preparation, whether they be pencil leads or concrete, is not always easily predictable. While a new mixture might give a stronger material, it might also give a more brittle one that will be greatly weakened by a small crack.”—page 236

 

“The stories of the Munroes and the Thoreaus and their pencils illustrate in microcosm the often conflicting objectives of real-world engineering and business: making pencils as fine as possible as an end in itself; making pencils better in quality or price than other pencil makers; making pencils secretly in order to have an advantage over the competition; making pencils overtly to conceal a more profitable business; making pencils for the social and cultural good of artists, engineers, and writers of all kinds. There is no such thing as pure engineering, whether in the artifact or in the abstract—for that would be nothing but irresponsibility or a mere hobby. Engineering, far from being applied science is scientific business.” – page 276-277.

It reminded me of the discussions among Austrian economists over what entrepreneurship essentially is. (See NecessaryFacts here.) Being rationalists  they seek one or a few axioms from which all of the remainder can be derived by pure reason. Do entrepreneurs bring new inventions to market? Do they arbitrage risk? Do they carry goods from where they have lower value to where they are valued more? Do they drive each other out of business by any means possible? Do they find cooperation where others find conflict? Do they take advantage of the unwary or do they profit from intelligent decisions? Mises pointed out at some length that the entrepreneur can be so self-centered that they invest all of their resources in a lost cause when a rational person would just get any good-paying job and keep it. There is no such thing as pure entrepreneurship unless it is a hobby. 

 

In 1933 [the Lead Pencil Institute] has ten members who together manufactured 90 percent of all American pencils. Thus the institute effectively represented the entire industry, which at that time included thirteen firms. They were roughly in order of size: Eagle Pencil Company, New York, N.Y.

Eberhard Faber Pencil Company, Brooklyn, N.Y.

American Lead Pencil Company, Hoboken, N.J.

Joseph Dixon Crucible Company, Jersey City, N.J.

Wallace Pencil Company. Brentwood, Mo.

General Pencil Company, Jersey City, N.J.

Musgrave Pencil Company, Shelbyville, Tenn.

Red Cedar Pencil Company. Lewisburg, Tenn.

Mohican Pencil Company, Philadelphia, Pa.

Blaisdell Pencil Company, Philadelphia, Pa.

Richard Best Pencil Company, Irvington, N.J.

Empire Pencil Company, New York, N.Y.

National Pencil Company, Shelbyville, Tenn.

(Page 293)

 

I found it disappointing that Petroski quoted John Middleton Murray at length on the poetry of being a pencil, but never mentions “I Pencil” by Leonard E. Reed.

 

The old meets the new. These pencil extenders are built
from STL files provided to 3-D printers

“Who today but a frugal draftsman would use a pencil down to such a stub? But our pencils, unlike many of those of the Victorians, have lead from end to end, and some engineers and draftsmen, when a good pencil’s stub is too small to hold even in a pencil extender, have been known to cut away the last of the wood case and use the left in their compasses.” – page 354

 

Previously on NecessaryFacts

Imaginary Numbers are Real but Pegasus is not 

Forbidden Planet 

Spoken American Grammar 

The Map that Changed the World