The Science Fiction Writers of America publishes a news blog, “Writer Beware.” The July 31, 2026, entry is about changes to the Canon of Ethics of the American Association of Literary Agents. In their summary, the SFWA cites a comment from Publisher’s Weekly:
“A surprising omission from the revisions is any language addressing AI. According to PW’s article on the revisions, though, this is something the AALA is looking at. Guidelines around AI usage are notably absent from this round of revisions, though AI use ranked as one of the top concerns among agents in a recent AALA survey. [AALA president Regina] Brooks said the AALA has begun circulating information internally and among members, but is “waiting for things to settle out” before formalizing anything.”
Common chatter about AI is ubiquitous. I am complacent and ambivalent. I do recognize that soon (if not yesterday), an AI is going to sue in court for its rights as an artificial individual under the law, the same any other corporation. Whatever that may bring, for the immediate present, AI is just another computer program, a platform, an environment, no different than Cobol, Python, DuckDuckGo, or Amazon Web Services. Collectively, they are only wider abstractions to encompass concepts.
It remains that the grammar checker and spellchecker are annoying but convenient. Typeahead is a klaxon for cliches. When you are in a Zoom call (or similar) turn on CC:Closed Captions and see whether and to what extent that program learns the nuances of your specialized vocabulary.
“People of the same trade seldom meet together, even for merriment and diversion, but the conversation ends in a conspiracy against the public, or in some contrivance to raise prices.” – Adam Smith, The Wealth of Nations, (Book I, X “Wages and Profit,” Part I)
Writers and artists worry about losing income to new tools and it is an old problem. When movable type printing was invented copyists were disadvantaged; they rebelled and lost. When all copies were made by hand, it was a nice gift to copy a book and give it to your friend. The ability to produce hundreds or thousands of copies led to copyright laws.
Until the invention of computers, copying and reading were distinct acts. In his 1985 book, Electronic Life, Michael Crichton asserted that reading with a computer is now identical with copying to a computer. My Apple iPhone connects automatically to my Apple iMac and copies content from one to the other.
During one of several continuing and ironic discussions with friends in the Fandom Association of Central Texas (FACT) about why we ban AI, the comment was made, “All they do is scrape the internet.”
And what do you do? Does your story have a faster-than-light spaceship with colonists, or does it have dragons, vampires, witches, sorcerers, or does have robots or aliens?
FACT sponsors the annual ArmadilloCon science fiction convention in Austin. During a Board meeting, discussing upcoming plans, it was said that an invitation to speak and present had been intended for a new popular writer but that as it happens, the writer-artist encourages “fanfic” written by their readers. Moreover, they actively promote and reward the use of AI tools to write and illustrate these offshoot narrations. So, the convention withdrew the invitation. To me, that was wrong of FACT.
On YouTube is a video about a monk learning to use a book. Danish is not required to understand the humor and it is interesting to read the cognates.
It is a cartoon that a proofreader found when my wife was an employee of a large commercial printer and also freelanced, reading over 100 books for Bantam Doubleday. The monk is running into the scriptorium with sweat and exclamation points over his head. He is barely carrying a double armload of scrolls. He says, "It should be celebrate!!"
Science Fiction Writers of America https://sfwa.org/
SFWA “Writer Beware” blog by Victoria Strauss here: https://writerbeware.blog/2026/07/31/the-aala-makes-significant-updates-to-its-canon-of-ethics/
Publisher’s Weekly comment article here
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| A Brief History of Printing. Part II: The Economic History of Printing by Frederick W. Hamilton, Committee on Eduction, 1918. From Gutenberg here. |
"A Brief History of Printing. Part II: The Economic History of Printing" by Frederick W. Hamilton is a historical account likely written in the early 20th century. The work focuses on the economic dimensions surrounding the printing industry from the advent of printing in the mid-15th century through to the French Revolution in 1789. It delves into government regulations, labor conditions, and the evolving dynamics of the trade guilds impacted by the rise of printing. The opening of this volume introduces a thorough analysis of the printing industry’s economic landscape during a transformative period. It highlights how printers operated largely outside established guild systems, contending with governmental oversight and fluctuating market demands. Hamilton outlines how apprenticeships were structured, exploring the socioeconomic conditions faced by various classes of workers within the industry. He also contextualizes the historical significance of printing as not merely an industrial endeavor but as a pivotal influence on societal thought and subsequent revolutions, setting the stage for a detailed exploration of regulations, labor relations, and the inevitable shifts leading to modernization. (This is an automatically generated summary.) A Brief History of Printing. Part II: The Economic History of Printing by Frederick W. Hamilton, Committee on Eduction, 1918.
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For the Glory of Old Lincoln High
All Volitional Beings Deserve Rights
Generative AI: As Big as it is, it is only a Program
Goudy by Bernard Lewis and Goudy in His Own Words
Frank Romano’s History of Desktop Publishing
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