Monday, August 7, 2023

ArmadilloCon 45

This year's poster was designed
'by Gonzalo Alvarez who also
created an RPG based on
Aztec mythology. This year,
there was no t-shirt.
Austin’s ArmadilloCon is a science fiction convention for writers, artists, editors, and publishers. At the Capital City Coin Club, where I have been a member and occasionally an officer since 2011, my friend, Kurt Baty[1], kept telling me to go to this. I would nod and thank him and do nothing. Finally, I said, “Kurt, I’ve been to a Trekker con and I met Armin Shimerman and had a good time and all but it’s really not something that I do.” He replied, “This is not like any other science fiction convention. No one will be in StarFleet uniforms. It’s just for writers, artists, editors, and publishers." He was right. This year, I bought a half-page ad in the showguide, congratulating the convention and FACT, the Fandom Association of Central Texas. 

Laurel and I attend because of our shared interests in the craft of writing. She is a murder mystery fan and has edited for Bantam Doubleday. For myself, writing non-fiction, the break-out sessions on plot, structure, and character help me to bring my public into a document which they really do not want to read. I also benefit from learning about marketing, advertising, contracting, and other business issues. And  it is a good time to be surrounded by other creatives, to socialize, listen, and chat. 


Special Guests. Charles Siros was this year's FGoH. 

Returning this year, NASA flight trainer Bill Frank led a panel discussion on the many ways in which space tries to kill you. How do you deal with a fire on a space station? You wake up and find everyone else unconscious: what are your priorities? You are on the Moon, a mile from the station and your air supply valve fails closed: what do you do next?

"Space Tries to Kill You" filling up early. 

“Still Persevering on Mars” was presented by NASA/JPL scientist John K. Gibbons. With my own small journal filled with background for a story I have not written, I took a lot of notes. 

Persevering on Mars

I know Rob Pettingill from the Austin Astronomical Society, but I met him first through a computer guy coffee klatch that Laurel attended. Rob’s engagement in astronomy is through astrophotography and I have two of his works printed on steel and glass displayed on an office wall. Rob’s presentation was about the established techniques and new technologies in astrophotography for amateurs. The main attraction for me was in the mapping of image data to visible colors.

 

David Afrarishad of Baen Books led a panel session with Stina Leicht, Dantzel Cherry, and C. S. "Seth" Humble on religion. It is deep in human culture and except for special cases such as Dune and planet Bajor, we seldom consider it in character building or world building. Science fiction tends to default to the Star Trek assumption that we have evolved past all of that. But that is just not likely for any foreseeable future. Even atheists grow up in families and cultures where religion is at least present and often important. And why is Catholicism the default in stories written by people who grew up in Protestant America? Seth Humble pointed out that religion begins with mystery. Stina Leicht called it “the big, black unknown.” She also said that most people confuse morality and ethics and those two with religion. However, Leicht said, religious people do not confuse morality and ethics. Danzel Cherry said that she grew up LDS (“Mormon”) and that gave her a different perspective. 

 

The History session was disappointing. The showguide asked: “How does a horsedrawn carriage get down a mountain?” But nothing like that came of this. Each panelist complained that their self-identified minority was unfairly presented or under-represented in popular history. There were some takeaways. Scrivener was touted as better than Word because it allows keeping backstory notes in the document. Wikis have pros and cons; some people like them. The writers agreed that research can be a rabbit hole that prevents productive writing.

The Future of Publishing.

The Future of Publishing was a wide-ranging discussion on the business of writing today. Barbara Ann Wright, Alexis Glynn Latner, and Rick Klaw spoke for self-published and small press markets. Stina Leicht is published by Saga Press of Simon and Schuster. Writing is a business and the craft of authoring is the easy part. Leicht recommended getting an agent, advice she gave in other sessions and chatting in the lobby. Your agent will protect your legal interests and be a buffer for any discussions with the publisher. Rick Klaw said to always negotiate the contract. He said that even if a small press cannot offer more money, they can always provide you with more copies of the book. The others all agreed. Early on in the hour, everyone nodded when Klaw said that they have no idea what the future will be like. (In the car on the way home, Laurel said that they said the same thing last year.) Toward the end, Latner said that so much as changed in the last five years (or three)—from Twitter to TikTok and Booktok—that no one knows what is coming next. They did agree, however, that history is cyclic and vampire stories are popular again. 

 

Laurel and I do not buy more “stuff.” We have too much already and need to get rid of it. But we bought stuff anyway. She got a new coffee cup and I came home with seven books. 

  • Loki’s Ring by Stina Leicht (Saga Press Simon & Schuster) (autographed)
  • Rich Man’s Sky by Wil McCarthy (Baen Books) (autographed)
  • The Collapsium by Wil McCarthy (Baen Books) (autographed)
  • Fugitive Spark by Matt Levin (Self)
  • Guided by Starlight by Matt Levin (Self)
  • The Year’s Top Hard Science Fiction Stories 4 edited and published by Allan Kaster (InfiniVox). (This was an informative discussion. Allan reads sf magazines and contacts the authors he likes for his hard science fiction anthologies. He explained that authors sell first serial rights to the magazines. So, after publication there, they can resell the work. I replied that I knew the phrase “first serial rights” from my own contracts but no one ever asked me to republish so it did not sink in. Now I know.)
  • Commune 2000 A.D. by Mack Reynolds (Bantam, 1974). I got this for an interesting look at the present but it is really about the world of 1974. That is always true of all speculative fiction whether horror, scifi, fantasy, or alternate timeline romance. The best immersion in the world of 1810 is found in Jane Austen. As for the future, see above from the experts: We have no idea what will happen three years from now.

 

[1] Kurt Baty has been on the organizing committee often and one year was the FGoH (Fan Guest of Honor). Kurt wrote an article for me about the Antikythera Device for the Historical Astronomy Division of the AAS. I wrote up his discovery of the first coins struck by the Denver Mint. The accepted narrative had been thin; Kurt did some digging. I placed his story in the E-Sylum of the Numismatic Bibliomania Society, my blog at the ANA Member pages (abandoned in 2021), and the Michigan State Numismatic Society MichMatist. (The MichMatist paid 10 cents a word up to $100; that made my life easier when I edited the magazine because it set a natural limit on lengths. In the wake of Covid, they stopped paying and I stopped writing for them. Anyway, astronomy took me away from numismatics).

 

PREVIOUSLY ON NECESSARY FACTS

Armadillocon 44 Day 3 

Armadillocon 44 Day 1 and Day 2 

ArmadilloCon 41 Day 3 Part 2

ArmadilloCon 40 Part 2 

ArmadilloCon 39 

My ArmadilloCon Presentations 

 

 

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